The pet bird population continues to rise and waterfowl and wading birds fanciers love bird. The Waterfowl And Wading Birds Manual is packed with expert advice on keeping, feeding and caring for waterfowl and wading birds.
This is an essential primer for the newcomer to waterfowl and wading birds and a classic to add to any birds lover's collection. Whether you are just starting out or already have a few years of experience, this manual puts a wealth of information at your fingertips.
This one act play is made available to all. It may be used freely to perform in any environment. No Royalties owed. You do not have to buy multiple copies to perform, copy this book. You may change lines and scenes. Please give credit to the original author as inspiration of the work. The elder Dumas, who wrote many successful plays, as well as the famous romances, said that all he needed for constructing a drama was "four boards, two actors, and a passion." What he meant by passion has been defined by a later French writer, Ferdinand Brunetiere, as a conflict of wills. When two strong desires conflict and we wonder which is coming out ahead, we say that the situation is dramatic. This clash is clearly defined in any effective play, from the crude melodrama in which the forces are hero and villain with pistols, to such subtle conflicts, based on a man's misunderstanding of even his own motives and purposes. In comedy, and even in farce, struggle is clearly present. Here our sympathy is with people who engage in a not impossible combat-against rather obvious villains who can be unmasked, or against such public opinion or popular conventions as can be overset. The hold of an absurd bit of gossip upon stupid people is firm enough in "Spreading the News"; but fortunately it must yield to facts at last. The Queen and the Knave of Hearts are sufficiently clever, with the aid of the superb cookery of the Knave's wife, to do away with an ancient and solemnly reverenced law of Pompdebile's court. Again, in comedies as in mathematics, the problem is often solved by substitution. The soldier in Mr. Galsworthy's "The Sun" is able to find a satisfactory and apparently happy ending without achieving what he originally set out to gain. Or the play which does not end as the chief character wishes may still prove not too serious because, as in "Fame and the Poet," the situation is merely inconvenient and absurd rather than tragic. Now and then it is next to impossible to tell whether the ending is tragic or not. It is natural for us to desire a happy ending in stories, as we desire satisfying solutions of the problems in our own lives. And whenever the forces at work are such as make it true and possible, naturally this is the best ending for a story or a play. Where powerful and terrible influences have to be combated, only a poor dramatist will make use of mere chance, or compel his characters to do what such people really would not do, to bring about a factitious "happy ending." One of the best ways to understand these as real stage plays is through some sort of dramatization. This does not mean, however, that they need be produced with elaborate scenery and costumes, memorizing, and rehearsal; often the best understanding may be secured by quite informal reading in the class, with perhaps a hat and cloak and a lath sword or two for properties. With simply a clear space in the classroom for a stage, you and your imaginations can give all the performance necessary for realizing these plays very well indeed. Of course, you must clearly understand the lines and the play as a whole before you try to take a part, so that you can read simply and naturally, as you think the people in the story probably spoke. Some questions for discussion in the appendix may help you in talking the plays over in class or in reading them for yourself before you try to take a part. You will find it sometimes helps, also, to make a diagram or a colored sketch of the scene as the author describes it, or even a small model of the stage for a "dramatic museum" for your school. If you have not tried this, you do not know how much it helps in seeing plays of other times, like Shakespeare's or Moliere's; and it is useful also for modern dramas. Such small stages can be used for puppet theatres as well. "The Knave of Hearts" is intended as a marionette play, and other dramas-Maeterlinck's and even Shakespeare's-have been given in this way with very interesting effects.
This 'How to Use Ladybird Readers' user guide is the perfect way to introduce teachers and parents to Ladybird Readers. It provides a range of support, tips and advice on how to motivate language learners both at home and in the classroom. Ladybird Readers is a series of traditional tales, modern stories and non-fiction, written for young learners of English as a foreign language. Each book includes language activities to support the CEF framework, as well as help young learners prepare for the Cambridge Young Learners English (YLE) exams. The series adheres to CEF levels and the Cambridge YLE syllabus and is a mixture of traditional tales, modern stories, non-fiction and favourite brands such as Peppa Pig, Peter Rabbit and Topsy and Tim. Aimed at children age 5+, the range is perfect for use in the classroom and at home. Each reader is very carefully written to meet strict syllabus criteria but the text is rich and striking artwork makes each book appealing to children. Launching with twenty-eight readers, ranging from classic fairy tales and non-fiction to favourite children's brands and original stories. Each book has been carefully checked by educational consultants and can be read in the classroom or independently at home. Level 1 is ideal for children who have received some initial reading instruction. It covers CEF level Pre A1 and supports YLE starters exams. Level 2 is ideal for children who have received some reading instruction and can read short, simple sentences. It covers CEF level A1 and supports YLE movers exams. Level 3 is ideal for children who are eager to start reading longer stories It covers CEF level A1+ and supports YLE movers exams. Level 4 is ideal for children who are ready to read longer stories with a wider vocabulary. It covers CEF level A2 and supports YLE flyers exams.
A brand new chapter book featuring Sunil Nevla from Littlest Pet Shop!
Have you ever wondered how much a ladybird weighs? A snail or a Rabbit? Alison Limentani's extraordinary picture book introduces a fascinating world of numbers and weights in the most original way. '... this elegant picture-book ... truly speaks to the intended audience.' Booklist